Program

Franz Schubert, Piano Trio No. 2 in E-flat Major, D. 929

2. Andante con moto

Leonard Bernstein, West Side Story

Somewhere

Joaquín Rodrigo, Concierto de Aranjuez

2. Adagio

Frédéric Chopin, 24 Preludes, Op. 28

No. 4 in E minor

Wolfgang Amadeus Mozart, Requiem, K. 626

8. Lacrimosa dies illa

Franz Schubert, Sonata in A Minor, D. 821, "Arpeggione"

1. Allegro moderato

Ludwig van Beethoven, Symphony No. 7 in A Major, Op. 92

2. Allegretto

Jean Sibelius, Valse triste, Op. 44, No. 1

Wolfgang Amadeus Mozart, Piano Concerto No. 23 in A Major, K. 488

2. Adagio

Giuseppe Verdi, La Traviata

III: "Teneste la promessa"

Alban Berg, Concerto for Violin, "To the Memory of an Angel'"

2. Allegro. Adagio

Maurice Ravel, Piano Concerto in G Major

2. Adagio assai

Marius Petipa/Pyotr Ilyich Tchaikovsky/Valery Kovtun, Swan Lake

Franz Schubert, String Quartet No. 14 in D Minor, D. 810, "Death and the Maiden"

2. Andante con moto

Franz Schubert, Piano Sonata No. 13 in A Major, D. 664

2. Andante

Edward Elgar, Enigma Variations, Op. 36

Variation IX (Adagio) "Nimrod"

Edward Elgar, Cello Concerto in E Minor, Op. 85

1. Adagio — Moderato

Antonín Dvořák, Symphony No. 9 in E Minor, Op. 95 "From the New World"

2. Largo

Giacomo Puccini, Madama Butterfly

II: "Un bel dì vedremo"

Frédéric Chopin, 24 Preludes, Op. 28

No. 15 in D flat major 'Raindrop'

Samuel Barber, Adagio for Strings

1 hour of the greatest classical tearjerkers

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Extra

Program notes

A great tragedy works on multiple levels: even as it breaks our hearts, it exalts us by reminding us of the singular preciousness of our lives and those we hold dear. This extraordinary power of catharsis, drawing life-affirming beauty out of despair, can be found in all the pieces featured in our hour-long compilation of musical tearjerkers, ranging from cries of mortal anguish (Schubert's Death and the Maiden Quartet, Barber's Adagio for Strings, the Lacrimosa from Mozart's Requiem) to laments for lost or impossible love ("Un bel dì, vedremo" from Puccini's Madama Butterfly, "Somewhere" from Bernstein's West Side Story) and yearning cris de cœur whose emotional heft disproves the overly simplistic notion that a major key must signal frivolity or happiness (Elgar's "Nimrod," the slow movement of Ravel's Concerto in G, the Largo from Dvořák's "New World" Symphony). Grab a box of tissues and let the music wash over you…

A closer look: featured composers

Further listening: featured works

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