Лоэнгрин впервые был поставлен в 1850 году в Веймаре. Это романтическая опера в трех актах, написанная Вагнером, длительностью около трех с половиной часов. Ее литературным источником является немецкая средневековая эпическая поэма Парцифаль Вольфрама фон Эшенбаха. Лебединый рыцарь, Лоэнгрин, является одним из хранителей Святого Грааля и на самом деле сыном Парсифаля (который является героем последней драмы Вагнера, написанной примерно 30 лет спустя). С его сказочной атмосферой, Лоэнгрин является продолжением цикла, начатого другой оперой Вагнера, Феи (“Die Feen”), как отмечает музыковед Рубенс Тедески. Но в Лоэнгрине радость и сверхъестественные черты заменяются туманным сном о невозможном. Никому не позволено знать имя Лебединого рыцаря, и никто не мог предсказать, что жажда знаний его возлюбленной Эльзы станет ее гибелью. Сам Вагнер писал по этому поводу: “Не уничтожен ли человек, который желает Бога?” (“Ist der Mensch, der nach dem Gott sich sehnt, nicht vernichtet?”).
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Wagner’s Lohengrin premiered in 1850. Wagner was hoping that his public would be enchanted by his artistic revolution, but the unfavorable reception of his previous works, including The Flying Dutchman and Tannhäuser had dampened his inspiration. In his autobiography, Mein Leben, the German composer writes in this regard: “I felt I had been called to ask myself: where does it come from, and why? And for a long time my art disappeared when faced with these questions.” And yet, the composition of Lohengrin shows a perfect mastery of his artistic means. The most beautiful description of this masterpiece has been written by the French writer Baudelaire: “I felt liberated from gravity’s hold [...] And then I conceived the idea of a soul moving in a luminous space, made of ecstatic voluptuousness and knowledge, which was hovering over and very far from the natural world.” But Wagner’s Lohengrin didn’t cease to inspire many other writers, including Proust, who quotes it more than once in his seven-volume novel
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