Teatro Real (La presse en parle)

Teatro Real de Madrid, Espagne

La presse en parle

El País. Par Daniel Verdú

(traduction libre)

Le verdict ? Un succès qui prit la forme d'une ovation, avec des bravos et une reconnaissance générale à l'encontre du travail de Glass, accueilli à grand renfort d'applaudissements lorsqu'il monta sur la scène pour saluer le public.

Los Angeles Times, le 24 janvier. Par Mark Swed

(version originale)

[...] By most counts this is Glass' 24th opera, and it is his most personally intimate. It does what opera does best by making the larger-than-life creator of Mickey Mouse an imperfect life-size, ultimately earning our wonderment. [...]

Glass' repetitive style is recognizable throughout, but with this opera he shows more harmonic richness than ever, which seems just right for every situation, mood or thought.

The production by British director Phelim McDermott, who was responsible for the Metropolitan Opera's impressive production of Glass' Gandhi opera, "Satyagraha," five years ago, celebrates Disney's drawings with projections on moving screens. A group of funky animators seems to operate all that goes on on stage. The characters are wild yet believable, even and especially the animatronic Lincoln.

Baritone Christopher Purves has captured in Disney the charisma, arrogance and humanity of the man, and it's already a candidate for one of the most important opera performances of the year. He makes racist or anti-Semitic remarks sound not like tirades but like attitudes that were all too common at the time, especially around Los Angeles. One of the points of "The Perfect American" is to show us how much times have changed.

The rest of the mostly excellent large cast includes David Pittsinger as Roy Disney, Donald Kaasch as Dantine, Janis Kelly as Disney's nurse Hazel George, Marie McLaughlin as his wife, Lillian, and John Easterlin as Warhol. Rosie Lomas made a strong impression in the high-lying parts of the owl-girl Lucy and Josh, the boy in the hospital. And Zachary James had a touch of Daniel Day-Lewis in his Lincoln.

Dennis Russell Davies, who has led the premieres of most of Glass' operas and symphonies, once more made sure of tone and detail. [...]