Trilogía sobre la guitarra (II/III) — Al fondo riela (lo otro del uno) de Rocío Molina, música de Eduardo Trassierra y Yerai Cortés

Teatre Nacional de Catalunya

En vivo
Algunas partes de este programa no están disponibles en este momento


María Agar Martínez — Directora de escena

Nerea Galán — Concepto

Julia Valencia — Directora artística, escenografía y vestuario

Antonio Serrano — Escenógrafo, iluminador

Javier Álvarez — Director de sonido

López de Santos — Vestuarista

Gallardo Dance — Vestuarista

Guanteria — Vestuarista

Rocío Molina — Bailarina, coreógrafa, directora artística, concepto

Eduardo Trassierra — Guitarrista

Yerai Cortés — Guitarrista

Sobre el programa...

The Trilogía sobre la guitarra is a study in three parts on the guitar and its relationship with the fundamental elements of flamenco. In fact, the three works try to deconstruct the traditional features of the instrument, in order to discover the creative momentum that animates its playing. It is under the sign of authenticity, then, that Rocío Molina links every gesture of her body to the universality of the human experience: in Al fondo riela (Lo Otro del Uno), the dancer leads a reflection, through the choreographic elements, on the experience of subjectivity. She leads a true introspection in dance to discover the absolute strangeness that captures every man facing himself. The guitar duo composed by Yerai Cortés and Eduardo Trassierra becomes the sound image of this dialogue made of misunderstandings and equivocations. Since the Self and the Other, like the two guitarists, call and respond to each other, alternately bringing harmony and conflict.

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