The Italian Concerto in F major, BWV 971 (or, in its original title, Concerto nach Italienischem Gusto) is a solo harpsichord work by Johann Sebastian Bach, one of the German composer's most well-known and popular compositions. Alongside the French Overture, the Concerto constitutes the second part of Bach's Clavier-Übung collection, published in 1735 by the editor Christoph Weigel. Both works embody the major musical traditions of the 18th century, namely the Italian and French styles. Although the concerto genre is based on the interplay between solo instrument and orchestra, Bach achieves a similar effect in this piece for solo harpsichord by exploring the instrument's capabilities through a play of contrasts and dynamics with skillfully alternating passages of forte and piano throughout the score.
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Johann Sebastian Bach's Concerto in F Major, BWV 971, also known as the Italian Concerto, is composed in the style and sound of the compositions from the bel paese. Along with the French Overture (which embodies the style of the other great homeland of 18th-century music), it constitutes the second part of the Clavier-Übung collection, a four-volume keyboard collection published between 1731 and 1741. The composition of the Italian Concerto in F Major, BWV 971 follows the canonical structure of the Italian concerto as established by Antonio Vivaldi, with three movements: the first two (1. Allegro, 2. Andante) are in major keys and are followed by a final slow and lyrical movement, a Presto in D Minor. Come and discover the eternal beauty of Bach's masterpieces, including his Italian Concerto in F Major, BWV 971, on medici.tv, whenever and wherever you want!