Program

Johannes Brahms, 18 Liebeslieder. Waltzes, Op. 52

1. Rede, Mädchen, allzu liebes. Im Ländler-Tempo

2. Am Gesteine rauscht die Flut

3. O die Frauen

4. Wie des Abends schöne Röthe

5. Die grüne Hopfenranke

6. Ein kleiner, hübscher Vogel nahm. Grazioso

7. Wohl schön bewandt

8. Wenn so lind dein Augen mir

9. Am Donaustrande

11. Nein, es ist nicht auszukommen

12. Schlosser auf, und mache Schlösser

13. Vögelein durchrauscht die Luft

14. Sieh, wie ist die Welle klar

15. Nachtigall, sie singt so schön

16. Ein dunkeler Schacht ist Liebe. Lebhaft

17. Nicht wandle, mein Licht. Mit Ausdruck

18. Es bebet das Gesträuche. Lebhaft

Edith Mathis, Brigitte Fassbaender, Peter Schreier and Barry McDaniel sing Brahms' Liebeslieder Waltzes

With Karl Engel and Heinz Medjimorec (piano)

Subscribers

Cast

Edith Mathis  — Soprano

Brigitte Fassbaender  — Mezzo-soprano

Peter Schreier  — Tenor

Barry McDaniel  — Bass

Karl Engel  — Pianist

Heinz Medjimorec  — Pianist

Program notes

An exceptional historical recording of Brahms' Liebeslieder, Op. 52.

Within the history of the Lied, Brahms's Liebeslieder, Op. 52 hold a special place. Moving away from the traditional music group made of a soloist accompanied by an instrument (most of the time the piano), Brahms composes a cycle for four voices and a four-hand piano. Brahms introduces thus a polyphonic pattern, combines soloist and choral episodes in a genre usually oriented towards the expression of an individual subject. Thanks to the waltz rhythm especially used throughout the cycle, Brahms gives a popular tone to his composition. However, beneath this apparent simplicity, the music expresses very deep and subtle feelings; a reason among many others which explain why the cycle of the Liebeslieder is still in the audience's mind one of the most popular work composed by Brahms.

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