Program

Johann Sebastian Bach, Partita in A Minor for Solo Flute, BWV 1013

1. Allemande

Johann Sebastian Bach, Brandenburg Concerto No. 3 in G Major, BWV 1048

1. [Allegro]

Johann Sebastian Bach, Sonata for Solo Violin No. 1 in G Minor, BWV 1001

1. Adagio

Johann Sebastian Bach, Cantata "Wo soll ich fliehen hin", BWV 5

3. Aria (tenor): Ergieße dich reichlich

Johann Sebastian Bach, Sonata for Solo Violin No. 1 in G Minor, BWV 1001

2. Fuga – Allegro

3. Siciliano

4. Presto

Johann Sebastian Bach, Magnificat in D major, BWV 243

1. Chorus: Magnificat anima mea

2. Aria: Et Exultavit

3. Aria: Quia respexit

4. Chorus: Omnes generationes

5. Aria: Quia fecit mihi magna

6. Duetto: Et Misericordia

7. Chorus: Fecit potentiam

8. Aria: Deposuit

9. Aria: Esurientes

10. Terzetto: Suscepit Israel

11. Chorus: Sicut locutus est

12. Chorus: Gloria Patri

Magnificat: If Today Were Tomorrow, and Yesterday Today by Heinz Spoerli, music by Bach

Galina Mikhaylova, Sarah-Jane Brodbeck, Juliette Brunner — Ballett Zürich

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Cast

Heinz Spoerli  — Choreographer

Peter Schmidt  — Set designer

Martin Gebhardt  — Lighting

Dancers:

Galina Mikhaylova

Sarah-Jane Brodbeck

Juliette Brunner

Samantha Mednick

Program notes

The great Heinz Spoerli followed up an eminently successful ballet career with many legendary years as a choreographer—or, as he describes himself, a “dance maker,” whose formal and stylistic range is truly remarkable. Near the end of his decades-long tenure as artistic director of the Ballett Zürich in 2012, he produced the gloriously graceful Magnificat: If Today Were Tomorrow, and Yesterday Today, a rare ballet set to Bach that feels at once contemporary and timeless.

The eponymous Magnificat, one of Bach’s greatest vocal masterpieces, comprises a major part of this strikingly unique work, which also features pieces for solo violin and flute, cantatas, and the third Brandenburg Concerto. Wide-open sets with cleverly changing set pieces, refined color palettes, sensuous lighting, and—of course—the sublime Ballett Zürich give form and fluidity to Spoerli’s vision of the profundity of faith and the pain of ostracism. “Heinz Spoerli is a magician,” wrote Andrea Kachelrieß in the Stuttgarter Nachrichten, “who uses sleight of hand to make us forget theoretical tedium. And so we experience 70 astonishing minutes in which dance and music fuse to a degree which is to be found only in Zürich…”

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