Igor Stravinsky

Igor Stravinsky's work: an eternal reference for modernity

Igor Stravinsky’s ballets caused a sensation in Paris. Although Debussy, Ravel and Schmitt were in raptures about the composer, the first performance of The Rite of Spring in 1913 in the new Théâtre des Champs-Elysées caused one of the greatest scandals in the history of art. Without ever constraining his musical language, Stravinsky spent the years of the First World War in Switzerland integrating jazz into his universe and composing new scores of pure simplicity.

Igor Stravinsky’s music cannot be classified but has always been a reference for modernity, originality and inventiveness. Whether it be the musical pastiches of Pulccinella, the religious fervour of his Mass (1951) or the serial and modern techniques in Canticum Sacrum, Stravinsky is indefinable. With his grating humour or violent rhythms, Stravinsky’s music was essential for future generations. Exiled in California from 1939 onwards, Stravinsky died in 1971 aged eighty-nine. He was buried in Venice, the city he most loved.