He made his operatic debut at Covent Garden in Henze's We Come to the River in 1976 and sang regularly there over twenty-one years in a wide range of roles including Billy Budd, Le Rossignol, L'Enfant et les Sortilleges, Boris Godunov, Turandot, Werther, Die Zauberflöte, Arianna, Cosí fan tutte. He also sang in Peter Grimes (Amsterdam, Brussels, Geneva, Madrid), Billy Budd (ENO, ROH, Opera Bastille), La Damnation de Faust (Turin, Tanglewood), Die Meistersinger von Nürnberg (Amsterdam, Paris), Die Zauberflöte (Opera Garnier), Tristan und Isolde ( London, Monte Carlo), Ariadne auf Naxos (Paris),Punch and Judy, Die Gluckliche Hand, Von Heute auf Morgen, Les Troyens, Les Indes Galantes (Amsterdam) Rameau's Les Boreades (Salzburg Festival), Eight Songs for a Mad King by Peter Maxwell Davies (Opéra Comique), The Lighthouse (Edinburgh Festival), Sir Michael Tippett's A Midsummer Marriage (tv film) and the title role in Messiaen's St François d'Assise (London, BBCTV, Lyon, Amsterdam, Brussels, New York and Edinburgh Festival).
His most memorable concerts have been Mahler 8 with the NYO under Rattle, Tippett's King Priam under David Atherton at the BBC Proms, Henze's Elegy for Young Lovers under Knussen at the Concertgebouw Amsterdam, Ravel's L'Heure Espagnole, and Brahms Requiem under Previn in Carnegie Hall, Pittsburgh and Oslo and Haydn's Seasons under Rattle, plus The Creation (educational projects in Amsterdam and Paris) with Brüggen, Britten's Death in Venice under Montgomery and Enescu's Oedipe at the Holland Festival. He sang Beethoven's Ninth under Leonard Slatkin at the Last Night of the Proms in 2001 after the events of 9/11 to a worldwide audience of 340 million.
Discography: Over 200 CDs including Tubular Bells and Ommadawn (Mike Oldfield), the film Give my regards to Broad Street (The Beatles), and more traditionally works of Bach ( Cantatas with Leonhardt, B minor Mass with Giulini) Beethoven (Fidelio with Mackerras), Stravinsky (Knussen), Schoenberg (Knussen and Robert Craft), Ravel (L'Heure Espagnole, L'Enfant et les Sortilleges with Previn), Frank Martin's Jedermann Monologues (Matthias Bamert). Mahler 8 with Simon Rattle. Since student days he has worked with the pianist David Owen Norris and together they have recorded many recitals including Schubert's Winterreise, songs by Finzi and Quilter and many first performances of works written for them ( Michael Berkeley, Edward Cowie, Trevor Hold, Lutoslawski, Tippett) and Stravinsky and Tchaikovsky.
In 2006 he decided to retire from the operatic stage and his last performances were the title roles in Tippett's King Priam (Nationale Reisopera and BBC Proms), Albeniz's Merlin (Teatro Real Madrid), Shostakovitch's The Nose under Gennadi Rozhdestvensky (Netherlands Opera) and Messiaen's Saint François d'Assise (Edinburgh Festival).
Recent concert projects included a tour with Sir Simon Rattle and the Orchestra of the Age of Enlightenment of Schumann's Paradies und die Peri as well as tours with Frans Bruggen and the Orchestra of the 18th Century singing Die Schöpfung and Beethoven's 9th Symphony. He sang performances of La Damnation de Faust with Charles Dutoit with the Bavarian Radio Symphony Orchestra. the Sydney Symphony, the Chicago Symphony and the Philharmonia, and Romeo et Juliette with the Philadelphia Orchestra. He sang Elias in Strasbourg under David Hill, the title role in Owen Wingrave in Tapiola with Stefan Asbury, Tippett's A Child of our Time with Sir Andrew Davis and the Royal Philharmonic Orchestra and Elgar's Dream of Gerontius under Vladimir Ashkenazy with the Sydney Symphony Orchestra.
David Wilson-Johnson teaches in Amsterdam and London and is a Fellow of the Royal Academy of Music.
He lives between houses in London, Amsterdam and South-West France.
