He has been invited to many major festivals such as La Roque d’Anthéron and the Nohant Festival in France, the Prague Spring Festival, the Chopin and his Europe Festival in Warsaw, the Lanaudière Festival and the George Enescu Festival in Bucarest. As a soloist, he has performed with many ensembles including the major Canadian symphony orchestras (Montreal, Toronto, Ottawa, Metropolitan, Quebec City, Edmonton, Calgary, etc.) as well as the Warsaw Philharmonic Orchestra, Sinfonia Varsovia, Tokyo Metropolitan Symphony Orchestra, Singapore Symphony Orchestra, Korean Symphony Orchestra, OFUNAM (Mexico), Les Violons du Roy and I Musici de Montréal. He has worked with such renowned conductors as Kent Nagano, Rafael Payare, Bernard Labadie, Antoni Wit, Vasily Petrenko, Jacek Kaspszyk, Aziz Shokhakimov, Peter Oundjian, Jacques Lacombe, Fabien Gabel, Carlo Rizzi, John Storgårds, Alexander Prior, Giancarlo Guerrero, Christoph Campestrini, Lan Shui, Otto Tausk, Jean-Marie Zeitouni, Kazuki Yamada, Yannick Nézet-Séguin and Jonathan Cohen. Charles Richard-Hamelin is also active as a chamber musician. He has performed with Andrew Wan, James Ehnes, Marie-Nicole Lemieux, Marc-André Hamelin, the Dover Quartet, the New Orford Quartet, the Apollon Musagète Quartet and the Meccore Quartet, among others. A graduate of McGill University, the Yale School of Music and the Conservatoire de musique de Montréal, he studied with Paul Surdulescu, Sara Laimon, Boris Berman, André Laplante and Jean Saulnier.
Charles Richard-Hamelin has recorded eleven albums, all released on the Analekta label (Outhere Music). Five of these are dedicated primarily to the solo piano works of Frédéric Chopin; there are also four recordings with Andrew Wan, concertmaster of the OSM. He has also recorded concertante works: both Chopin piano concertos with the Orchestre symphonique de Montréal, conducted by Kent Nagano, and Mozart’s Piano Concertos nos. 22 and 24 with Les Violons du Roy, conducted by Jonathan Cohen. Six Félix awards (ADISQ) and a JUNO in 2022 saluted the quality of these albums, which have been received widespread acclaim from critics around the world.
