Alban Berg was, with Webern, the most prominent representative of the Second Viennese School. At first self-taught, he composed numerous works in the style for the Romantics. His encounter with Arnold Schoenberg in 1904 would be decisive for his musical development. The composer was to learn and assimilate the twelve-tone technique and to apply it to his works without, however, relinquishing lyricism, poetry and Romantic expression.
Of a calm and introverted disposition, Alban Berg spent almost all his life in Vienna. His operas conveyed his expressionistic Angst like his doubts related to musical language. In Wozzeck (1922), he transcribed musically his vision of death, whereas Lulu is a testament to the unconscious, desire and violence. Weakened by the scandals his works provoked, Berg had difficulty finding his place when faced with modernity and avant-gardism. His personality remained profoundly discreet.
Although his work exploited the Viennese School’s techniques with incomparable artistic sensitivity, its’ nostalgia, freedom and indefinable purity remain exceptional. He used the serial technique for his Lyric Suite, yet the music is heartrending, confiding his passionate love for Hanna Fuchs-Robertin, Alma Mahler’s sister-in-law. Suffering from bad health, Alban Berg died of septicaemia in 1935 at the age of 50 without ever having time to write the last act of his opera Lulu
Andreas Homoki (stage director), Fabio Luisi (music director) – Christian Gerhaher (Wozzeck), Gun-Brit Barkmin (Marie)...
Simón Bolívar Symphony Orchestra of Venezuela – Lucerne Festival at Easter 2010
Gala concert of the Lucerne Festival 2005
Dmitri Tcherniakov (stage director), Kirill Petrenko (music director) – Bayerische Staatsoper – With Marlis Petersen (Lulu)
The London Philharmonic Orchestra
Peter Mussbach (stage director), Sylvain Cambreling (conductor) — With Kristine Ciesinski (Marie), Dale Duesing (Wozzeck), Ronald Hamilton (Drum Major)