메피스토펠레, 아리고 보이토의 유일하게 완성된 오페라로, 괴테의 파우스트를 바탕으로 하고 있습니다. 1868년 밀라노 라 스칼라에서 초연된 이 작품은 악마 메피스토펠레스와 노학자 파우스트 사이의 운명적인 계약 이야기를 다루며, 젊음과 사랑, 지식을 추구하는 파우스트가 결국 구원에 이르는 과정을 그립니다. 보이토는 음악과 대본을 모두 작성하여 길이와 대담한 음악 스타일로 처음에는 비판을 받았으나, 광범위한 수정 과정을 거친 후 1875년에 성공적으로 부활하였고 최종적으로 1881년 버전으로 자리 잡았습니다. 구노의 파우스트보다 덜 알려져 있지만, 보이토의 오페라는 이탈리아 오페라에서 중요한 성과로 남아 있습니다.
Discover Mefistofele, Arrigo Boito’s only completed opera, on medici.tv!
Premiered at La Scala in Milan on March 5, 1868 by the composer himself, Mefistofele is Boito’s innovative operatic adaptation of Goethe’s Faust, drawing on both parts of the tragic play. The opera opens with the wager struck between Mephistopheles and the heavenly host: the devil claims that he can corrupt the soul of Doctor Faust, an aging scholar with an insatiable thirst for the absolute. Seduced by Mephistopheles’ promises of renewed youth and earthly pleasures, Faust accepts the deal and embarks on a journey starting with a tragic passion leading to young Marguerite’s downfall, and ending in Ancient Greece, where he wins the heart of Helen of Troy. Weary and disillusioned by the end, Faust turns to God for forgiveness and is redeemed, despite Mephistopheles’ bitter frustration. Following the revolutionary lead of Richard Wagner, Boito served as both composer and librettist to have full control in the creation of this original opera.
An Artistic Manifesto: From Fiasco to Triumph
The tumultuous premiere of Mefistofele at La Scala in 1868 was a spectacular failure. Twenty-six year old Arrigo Boito was associated with Milan’s avant-garde Scapigliatura movement and sought to push the boundaries of opera. The result was a five-hour opera deemed too risky for the Italian public due to its Wagnerian aesthetics. After only two performances, the opera was withdrawn from programs. Devastated by this failure, Boito radically revised his score by cutting out an entire act, tightening the drama, and recasting Faust as a tenor rather than a baritone. This revised version premiered in Bologna on October 4, 1875, to a warmer reception, with Boito continuing to revise the work until the final version was performed at La Scala in 1881. Although Mefistofele was never as popular as Gounod’s Faust, the title role’s foreboding bass part, has attracted generations of legendary singers, from Fyodor Shalyapin to Cesare Siepi.
Boito’s Mefistofele on medici.tv
As the world’s leading classical music streaming platform, medici.tv is the perfect place to explore the overlooked treasures of Italian opera, including Arrigo Boito’s Mefistofele. Our catalog of more than 4,500 programs features a wealth of opera performances by the world’s leading opera houses and singers. This page features all available performances of this sweeping metaphysical epic, brought to life by great lyric basses who embody the demonic Mephistopheles. To delve deeper, be sure to browse our playlists celebrating Italian opera and the myth of Faust in musical tradition!