Ópera

Kurt Weill's Rise and Fall of the City of Mahagonny

Alex Ollé, Carlus Padrissa – La Fura dels Baus (stage direction), Pablo Heras-Casado (conductor) — With Jane Henschel (Leocadia Begbick), Measha Brueggergosman (Jenny Smith), Michael König (Jim Maclntyre)...

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Suscriptores

Casting

Àlex Ollé — Director de escena

Carlus Padrissa — Director de escena

Alfons Flores — Escenógrafo

Lluc Castells — Diseñador de vestuario

Urs Schönebaum — Iluminador

Jane Henschel — Leocadia Begbick

Donald Kaasch — Fatty

Willard White — Trinity Moses

Measha Brueggergosman — Jenny Smith

Michael König — Jim Maclntyre

John Easterlin — Jack O’Brien / Tobby Higgins

Otto Katzameier — Bank-Account Bill

Steven Humes — Alaska-Wolf Joe

Coro Intermezzo — Coro

Andrés Máspero — Director de coro

Sobre el programa...

Grandeur et décadence de la ville de Mahagonny (Rise and Fall of the City of Mahagonny) is the last artistic collaboration between author Bertolt Brecht and composer Kurt Weill. Composed in 1930, this satirical opera is often seen as a critique of American capitalism or the excesses of the Weimar Republic. It was banned by the Nazi regime and was only resurrected in the 1950s.

In around twenty scenes, the two authors tell the story of Mahagonny—an imaginary, forgotten city in the middle of the desert. The place is governed by three criminals and food, sex, gambling, and violence are rampant. In this striking production at the Teatro Real in Madrid by Alex Ollé and Carlius Padrissa of the subversive Catalan collective La Fura dels Baus, Brecht’s acerbic text—enhanced by Weil’s lyricism—is masterfully brought to life by exceptional performers, including Measha Brueggergosman, Michael König, Jane Henschel, and Willard White. Music director and conductor Pablo Heras-Casado leads the resident ensemble, the Symphony Orchestra of Madrid, in a remarkable performance brimming with intensity.

Photo © Javier del Real

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