Programa

Carl Orff, Carmina Burana

«Fortuna Imperatrix Mundi» - O Fortuna

Fortune plango vulnera

I: «Primo vere» - Veris leta facies

I: Omnia sol temperat

I: Ecce gratum

«Uf dem Anger»: Tanz

Floret silva

Chramer, gip die varwe mir

Reie

Swaz hie gat umbe

Chume, chum, geselle min

Swaz hie gat umbe (reprise)

Were diu werlt alle min

II: «In Taberna» - Estuans interius

II: Olim lacus colueram

II: Ego sum abbas

II: In taberna quando sumus

III: «Cour d'amours» - Amor volat undique

III: Dies, nox et omnia

III: Stetit puella

III: Circa mea pectora

III: Si puer cum puellula

III: Veni, veni, venias

III: In trutina

III: Tempus est iocundum

III: Dulcissime

«Blanziflor et Helena» - Ave formosissima

«Fortuna Imperatrix Mundi» - O Fortuna (reprise)

Carmina Burana by Edward Clug, music by Carl Orff

At the 2023 Ljubljana Festival, with Maribor Slovene National Theatre Ballet

Suscriptores

Casting

Edward Clug  — Coreógrafo

Marko Japelj  — Escenógrafo

Leo Kulaš  — Diseñador de vestuario

Tomaž Premzl  — Iluminador

Sergiu Moga  — Coreógrafo asistente

Tijuana Križman Hudernik  — Coreógrafa asistente

Nina Dominko  — Soprano

Martin Sušnik  — Tenor

Sobre el programa...

In this dark, sleekly refined choreography by Edward Clug, experience the legendary Carmina Burana like you've never seen it before: on the ballet stage! In this captivating production, the SNT Maribor Symphony Orchestra and Maribor Opera Chorus (with featured soloists Nina Dominko, Martin Sušnik, and Davor Nekjak), under the baton of Simon Krečič, perform Carl Orff's 20th-century masterpiece to perfection, allowing the dancers' carefully calibrated performances to shine under the spotlight.

Composed in 1935-36, Carl Orff's Carmina Burana is a cantata with texts taken from a 13th-century collection of poetry, with wide-ranging topics including the fickleness of fortune, the transitory pleasures of life, and the danger of vice. Orff selected 24 of these poems and constructed his cantata in such a way as to elaborate a linkage of music, movement, and word that he called theatrum mundi. The contemporary ballet stylings of Edward Clug boldly restage this legendary work, surprising in its stark sobriety and the originality of its production and design.

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