Opera

POSTPONED: Verdi's Don Carlo

Claus Guth (stage director), Juraj Valčuha (conductor) — With Michele Pertusi (Filippo II), Matthew Polenzani (Don Carlo), Ludovic Tézier (Rodrigo), Elīna Garanča (Princess Eboli) …

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Cast

Claus Guth — Stage director

Etienne Pluss — Set designer

Petra Reinhardt — Costume designer

Olaf Freese — Lighting designer

Roland Horvath — Video

Yvonne Gebauer — Dramaturgy

Michele Pertusi — Filippo II

Matthew Polenzani — Don Carlo

Ludovic Tézier — Rodrigo marchese

Alexander Tsymbalyuk — The big inquisitor

Giorgi Manoshvili — A monk

Ailyn Pérez — Elisabetta di Valois

Elīna Garanča — Princess Eboli

Cassandre Berthon — Tebaldo

Luigi Strazzullo — Il conte di Lerma

Massimo Sirigu — A royal herald

Maria Sardaryan — A voice from the sky

Program notes

Out of sorrow and respect for the victims of the landslide in Ischia, this performance has been postponed. Our broadcast planned for Saturday, November 26 will take place on Tuesday, November 29.

The Teatro San Carlo in Naples opens its 2022-23 artistic season by presenting the full five-act version of Verdi’s Don Carlo, which last played there in 1872! This Italian version (the original libretto, Don Carlos, was written in French) was for a long time the most commonly played, until some interpreters of Verdi—notably Abbado in 1977—chose to restore the original score.

In this production, Matthew Polenzani performs an elegant and melancholic Don Carlo, suffering in his impossible love for his stepmother Elisabetta (an excellent Ailyn Perez), the princess of France. The king’s Filippo II, played by the great Michele Pertusi, represents tyrannical monarchy and opposes the revolutionary stirrings of the marquis Rodrigo, performed by award-winning baritone Ludovic Tézier. The sublime Elīna Garanča, for her part, after her resounding successes in Carmen and Cavalleria rusticana, returns to the stage of the Teatro San Carlo as the jealous princess Eboli, while Alexander Tsymbalyuk, as the Great Inquisitor, evokes the dark shadow of the Catholic Church’s tribunals.

This titanic grand opéra à la française, including dance sequences and majestic choral scenes, displays a much more European taste than Verdi’s usual fare, owing in part to the libretto by Joseph Méry and Camille du Locle, based in turn on the tragedy of the same name by Schiller. The work’s striking modernity can be felt in the subtle introspective analysis of the characters, wavering between public duty and personal pleasure, reflected by a dynamic and relentless action. Juraj Valčuha’s orchestra and Claus Guth’s direction, in his first appearance at San Carlo, lead the ensemble in this superb staging, enhanced even further by Petra Reinhardt’s costumes and Etienne Pluss’s set design.

Elīna Garanča appears courtesy of Deutsche Grammophon.

Photos © Sarah Katharina Hochmayer (Elīna Garanča) / Gregor Hohenberg (Ludovic Tézier) / Dario Acosta (Ailyn Pérez) / (Matthew Polenzani) / Roberto Ricci (Michele Pertusi)

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