A powerful story of love, betrayal and honour, Norma is a classic of the belcanto tradition, combining lavish vocal splendour with a story of great passion and nobility.
Over the centuries, opera composers and librettists have created scores of spectacular roles for sopranos. And of all the great soprano roles in operatic history, there's one that may cover more dramatic territory, and demand more of those who perform it, than any other. The title character in Bellini's Norma is a role with emotions ranging from haughty and demanding, to desperately passionate, to vengeful and defiant. And the singer must convey all of this while confronting some of the most vocally challenging music ever composed.
Italian soprano Fiorenza Cedolins is one of the most thrilling Normas of the younger operatic generation of singers. Along with a distinguished supporting cast (Sonia Ganassi as Adalgisa and Vincenzo La Scola as Pollione) this finest psychologically staged production by Francisco Negrin, conducted by Giuliano Carella, makes the belcanto tradition vivid and exciting for all generations.
Stein Winge (stage director), Michael Boder (music director) – With Graham Clark (The Clerk, A Scrivener), Robert Brubaker (Prince Vasili Golitzin) – Gran ...
Marco Arturo Marelli (stage director), Evelino Pidò (conductor) – Natalie Dessay (Amina), Javier Camarena (Elvino) – Opéra Bastille
In 1965 and 1958