The work of largely unknown 17th-century composer Antonio Nola (1642-c. 1715) displays dramatic contrasts, as in Ecce Nunc Benedicite Dominum II, a surprising blend of modern instrumental concerto with ecclesiastical vocal style. Another work with the same text, more luminous in character (Ecce Nunc Benedicite Dominum I), demonstrates Nola’s broad expressive scope. But the crown jewel of this program is undoubtedly his Stabat Mater, a profound and poignant evocation of the Virgin Mary’s contemplative suffering. The superb voices and instruments of the Cappella Neapolitana, committed to every note of this program, use their technical excellence and precision to transport us to a fascinating and nearly-lost universe of beautiful music, full of color and earnest emotion.