The Contralto (10)

The Contralto is the lowest female voice category, and one which, in Western classical music, is rarely featured. In opera, it is usually the sopranos and mezzo-sopranos who are treated to the best arias, whilst their Contralto counterparts are relegated to the roles "witches, bitches and britches.” Similarly in sacred music, many of the arias performed by the Contralto, such as those written by Bach and Handel, were actually written for another voice type: the Haute-Contre (High Tenor) or even Castrati. In the world of popular music, by way of contrast, much is made of the Contralto spectrum. Singers such as Mariah Carey, Beyonce and Alicia Keys all exploit the lowest area of the Contralto voice to great effect! We’ve assembled some of our favorites from this rare and rarely-celebrated voice.
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Britten's The Rape of Lucretia
Britten's The Rape of Lucretia

Fiona Shaw (stage director), Leo Hussain (condu...

opera
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Rossini's La Cenerentola
Rossini's La Cenerentola

Peter Hall (stage director), Vladimir Jurowski ...

opera
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Britten's Peter Grimes
Britten's Peter Grimes

Margaret Williams (stage director), Steuart Bed...

opera
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Charles Munch conducts Mendelssohn: Symphonies No. 3 and No. 4
Charles Munch conducts Mendelssohn: Symphonies No. 3 and No. 4

Boston Symphony Orchestra, 1958-1959

concert
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Handel's Giulio Cesare
Handel's Giulio Cesare

David McVicar (stage director), William Christi...

opera
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Wagner's Das Rheingold
Wagner's Das Rheingold

Joachim Schlömer (stage director), Lothar Zagro...

opera
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Handel's Giulio Cesare
Handel's Giulio Cesare

John Copley (producer), Sir Charles Mackerras (...

opera
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Verdi's Un ballo in maschera
Verdi's Un ballo in maschera

Liliana Cavani (stage director), Riccardo Muti ...

opera
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Verdi's Falstaff
Verdi's Falstaff

Richard Jones (stage director), Vladimir Jurows...

opera
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Stravinsky's The Rake's Progress
Stravinsky's The Rake's Progress

John Cox (stage director), Vladimir Jurowski (c...

opera