Giuseppe Verdi (1886), Rome, Galleria Nazionale d'Arte Moderna
Giuseppe Verdi, child of the people, king of popular opera, began life as the son of an innkeeper. He was brought up in modest circumstances. He first received lessons from the village priest, who was amazed by the young musician’s talents. Verdi’s musical education was rounded and complete: at the age of sixteen, the composer wrote fugues, masses and symphonies, which he would later destroy. As he met with reticence in Milan, he settled in Busseto where he fell victim to the pettiness of the town. However, his strong willpower enabled him to pursue his musical path without paying heed to what people said.
As early as 1838, Giuseppe Verdi was thinking of the opera and composed his first theatrical works in the style of Donizetti and Bellini. His first great success came in 1842 with the premiere of Nabucco at the Scala. Verdi was admired, celebrated, copied and envied. Without respite, Verdi composed numerous works and won great acclaim for his Romantic opera. Rigoletto, Il Trovatore, La Traviata and Aida bear witness to Verdi’s art.
With refined orchestral colours, a unique sense of lyricism and lively choral writing, Giuseppe Verdi strengthened dramatic cohesion and attained an apogee with Otello and Falstaff, which transpose Shakespeare’s universe into music. Taking that Italy is the homeland of opera, Verdi was worshipped there like a god. “Viva Verdi!” was chalked on walls and the musician remained fervently patriotic. Far from Richard Wagner, Verdi shines for his humanism and his great moral strength, which is brilliantly reflected in his music.
Charles Roubaud (stage director), Alain Guingal (music director), Orchestre philharmonique de Radio France – Nadine Sierra (Gilda), Leo Nucci (Rigoletto),...
An Open-air classical concert from the Königsplatz
Massimo Zanetti and Jean-Claude Fall – With Patrizia Ciofi (Luisa), Gregory Kunde (Rodolfo)...
Vladimir Jurowski, Richard Jones – Christopher Purves (Falstaff), Marie-Nicole Lemieux (Mistress Quickly), Jennifer Holloway (Meg Page) – Glyndebourne Fest...
Antonio Pappano, Nicholas Hytner – Rolando Villazón (Don Carlos), Robert Lloyd (Carlos V), Simon Keenlyside (Rodrigo, Marquis of Posa) – Royal Opera House,...
From the First Moscow International Cello Festival
Nikolaus Lehnhoff, Fabio Luisi – Juan Diego Flórez (Il Duca di Mantova), Zeljko Lucic (Rigoletto), Diana Damrau (Gilda) – Semperoper Dresden
Antoni Ros-Marbà, Willy Decker – Giorgio Giuseppini (Lodovico), José Cura (Otello), Vittorio Grigolo (Cassio) – Gran Teatre del Liceu
2003 St. Petersburg Gala, celebrating the 300th anniversary of the city
In 1965 and 1958
Orchestra and choirs of the Opéra de Paris, Georges Sébastian (conductor)
Riccardo Muti, Liliana Cavani – Salvatore Licitra (Riccardo), Maria Guleghina (Amelia) – Teatro alla Scala
Robert Carsen, Gianandrea Noseda – George Gagnidze (Rigoletto), Irina Lungu (Gilda), Arturo Chacon Cruz (Il Duca di Mantova)...
Verbier Festival 2013
Orchestre national de France, Chœur de Radio France
Paolo Carignani (conductor), Christof Loy (stage director) – With Barbara Haveman (Hélène), Burkhard Fritz (Henri) and Alejandro Marco-Buhrmester (Guy de M...
Europakonzert 2009, Napoli
Investigations around Willy Decker's production. With Riccardo Chailly, Rolando Villazón and Violeta Urmana
Miguel Ángel Gómez Martínez, José Antonio Gutiérrez – Daniela Dessì (Aïda), Fabio Armiliato (Radamès) – Gran Teatre del Liceu
Yutaka Sado, Peter Mussbach – Mireille Delunsch (Violetta), Matthew Polenzani (Alfredo Germont)
New Philharmonia Orchestra
Riccardo Muti, Hugo de Ana – Barbara Frittoli (Leonora), Violeta Urmana (Azucena), Salvatore Licitra (Manrico) – Teatro alla Scala
Europakonzert 1992, Madrid
Luca Ronconi, Giuseppe Sinopoli – With Renato Bruson (Macbeth) and Mara Zampieri (Lady Macbeth) – Deutsche Oper Berlin, 1987