The king of opera, Handel’s exceptional disposition for music was evident from a very early age. A barber-surgeon and chamberlain for the Duke of Saxe, Handel’s father was opposed to the solid musical tuition the young musician received in Halle from Friedrich Wilhelm Zachow, (1663-1712). Handel consolidated his reputation from city to city, from the harpsichord to the organ and through his encounters with Telemann and Buxtehude before settling in Hamburg.
After composing two operas, the young composer decided to leave for Italy to perfect his style and meet Domenico Scarlatti, Corelli and Pasquini. The composer had his operas performed in Florence, Rome and Venice. A great traveller, Handel went to Hanover and London where his opera Rinaldo was a triumph. He took English nationality in 1726 and composed for the British numerous Italian operas, which were very in vogue. A victim of plots and conspiracies, Handel skilfully managed to remain venerated by the British public who made him rich and renowned. Berlioz noted, "The heavy wigged head of this barrel of pork and bear named Handel".
Although Handel composed over forty operas, sometimes conventional with mediocre librettos, his genius was particularly evident in his oratorios and keyboard pieces. His sense of the melodic line was unequalled and thanks to the company of the great singers and castratos of the time, Handel wrote eminently vocal music with natural curves and refined, elegant eloquence. His pieces for keyboard displayed this same art with a sharp sense of counterpoint. A clever man, Handel ingeniously drew from German, Italian and English styles. He is undoubtedly the first great European composer.
With Il Pomo d'Oro, under the direction of Maxim Emelyanychev
Krzysztof Warlikowski, Emmanuelle Haïm – With Sabine Devieilhe (Bellezza), Franco Fagioli (Piacere), Sara Mingardo (Disinganno)...
Adrian Noble, Marc Minkowski – Anja Harteros (Alcina), Veronica Cangemi (Morgana), Vesselina Kasarova (Ruggiero)... – Wiener Staatsoper
Paul McCreesh, Graham Vick – Plácido Domingo (Bajazet), Jennifer Holloway (Irene), Sara Mingardo (Andronico) – Teatro Real Madrid
The Ensemble Matheus at the Chapelle de la Trinité (conducted by Jean-Christophe Spinosi)
William Christie, David McVicar – Sarah Connolly (Cesare), Danielle de Niese (Cleopatra)
Human Rights Concert in Geneva
Claus Guth (stage director), Ivor Bolton (musical director) – Lucy Crowe (Rodelinda), Bejun Mehta (Bertarido), Jeremy Ovenden (Grimoaldo), Sonia Prina (Edu...
Academy of St Martin in the Fields
Ottavio Dantone, Robert Carsen – Sonia Prina (Rinaldo), Anett Fritsch (Almirena), Brenda Rae (Armida)...
With Philippe Jaroussky
Howard Arman, Axel Köhler – Gerd Vogel (Meraspe), Melanie Hirsch (Orindo) – Opernhaus Halle
William Christie, Luc Bondy – With William Shimell (Hercules) and Joyce DiDonato (Dejanira)
Charles Mackerras, John Copley – Dame Janet Baker (Giulio Cesare), Valerie Masterson (Cleopatra) – English National Opera
A film by Christopher Nupen
Boston Symphony Orchestra, 1958-1960
Focus on Handel's opera Agrippina. With René Jacobs (conductor)
250th anniversary of Georg Friedrich Handel's death
Haendel's opera at the Teatro Real Madrid
Being Cleopatra in Glyndebourne
Christophe Rousset, Philip Behrens – Sandrine Piau (Atalanta), Marcello Lippi (Ariodate) – Semperoper Dresden