Elusive and always insolently free, even when the forester chains her up and the schoolmaster in his inevitable cups believes he is pursuing Terynka, this little vixen is a will-o'-the-wisp whose flashing russet, wherever it blazes, revives the smart of their ancient desires and departed loves in the hearts of men. In a community living as close to the natural state and its prodigies as it is imaginable to be, no other creature better personifies the life-force which demands that we accept the implacable cycle of Nature, encompassed between the extremities of birth and death.
Leoš Janáček's The Cunning Little Vixen was described by its composer as "a comic opera with a sad ending." It is a profoundly poetic tale for which the composer wrote some wonderful, life-enriching music that is magnificently orchestrated. "His music is quite simply overwhelmingly moving," says André Engel, who, working with an outstanding cast, directed a new production of this fascinating work for the Paris Opéra.
Michael Boder, Stein Winge – Graham Clark (The Clerk, A Scrivener), Robert Brubaker (Prince Vasili Golitzin) – Gran Teatre del Liceu
Paul McCreesh, Graham Vick – Plácido Domingo (Bajazet), Jennifer Holloway (Irene), Sara Mingardo (Andronico) – Teatro Real Madrid
Evelino Pidò, Marco Arturo Marelli – Natalie Dessay (Amina), Javier Camarena (Elvino) – Opéra Bastille