Salome, Strauss – Opera

Philippe Jordan, David McVicar – Nadja Michael (Salome), Thomas Moser (Herod), Joseph Kaiser (Narraboth) – Royal Opera House, Covent Garden

Salome's story, narrated by David McVicar



The palace of Herod Antipas, Tetrarch of Judea. It is night. In the banqueting hall, Herod and his second wife Herodias entertain guests from Rome, Egypt and Jerusalem. Outside, Narraboth, the captain of the King's Guard, stares longingly in at Salome, Herod's stepdaughter. Herodias's Page, himself obsessed with Narraboth, tries to distract him, fearing that his infatuation can only bring misfortune.

From the depths of an old cistern where he has been imprisoned, the voice of Jokanaan (John the Baptist) is heard by the soldiers who guard him. To them, his prophesies are incomprehensible and they warn a curious Cappadocian servant that it is forbidden for anyone to see him. Salome suddenly appears. Unable to endure the lascivious gaze of her stepfather any longer, she has fled the banquet, longing to bask in the pure rays of the moonshine. Jokanaan's voice echoes from the cistern, cursing her mother. Salome is intrigued and demands to see him, refusing Herod's order to return to the table. The soldiers refuse but Salome uses her power over the besotted Narraboth and he orders the prophet to be brought out before her. Jokanaan is dragged out of his prison and rails against the marriage of Herod and Herodias, an incestuous match made possible by the murder of Herod's brother Philip, Herodias's former husband. Salome is appalled but fascinated. Despite the frantic pleas of Narraboth, she conceives a passion for the prophet that quickly turns to an obsession. In turn, she longs to touch his body, run her fingers through his hair and finally, to kiss his mouth. The distraught Narraboth, utterly rejected, drives a dagger into his heart. Salome does not even notice, so intense is her desire to kiss the prophet. Jokanaan repulses her in disgust and commands her to seek the forgiveness of the Son of Man. Uncomprehending, Salome tries again to kiss him and he curses her before the soldiers throw him back into the cistern. Herod now comes in pursuit of Salome, wife and guests in tow. He slips in Narraboth's blood; an ill omen that drives the paranoid Tetrarch to distraction. He denies Herodias's demands to return to the banqueting hall and orders the servants to bring food and wine. He tries to persuade Salome to join him, even offering her own mother's throne beside him, but she refuses. Jokanaan is heard again, railing against Herodias who furiously asks why Herod will not turn him over to the Temple Authorities in Jerusalem. The superstitious Herod, though himself not a Jew, prefers to keep him in captivity; he has heard rumours that this man may be the prophet Elias, returned to Earth. The Jews from Jerusalem are appalled by this suggestion and a noisy theological debate erupts between them, interrupted by Jokanaan's voice proclaiming the coming of the 'Saviour'. Two guests from Nazareth interpret this to Herod. The Messiah, they say – to the amused disbelief of Herodias – has come and already is working miracles in the land, turning water to wine and raising the dead. Herod stops his ears to the prophet. He asks Salome to dance for him. Once again she declines, but he is determined and promises her whatever she desires as a reward. Salome makes him swear before the assembled guests, and despite the angry protestations of her mother, agrees. She dances before Herod. An enraptured Herod asks her to name her price. She demands to be given, on a silver dish, the head of Jokanaan. Horrified, Herod refuses, but Salome, to the delight of her mother, is adamant. In mounting panic, Herod offers Salome jewels and power, half of his kingdom, even the Veil of the Sanctuary of the Temple of Jerusalem itself. She denies him. Herod finally agrees and the Executioner, Naaman, is given the death-ring by Herodias herself. He descends into Jokanaan's prison as Salome, frantic with impatience, listens above. Hearing something fall to the ground below, she fears the Executioner's nerve has failed him and cries for help from the terrified Page and he soldiers. But she is wrong; the bloody head of Jokanaan is duly brought to her. Seizing it, she triumphantly sings to it. Jokanaan can no longer deny her the kiss she sought. As Herod climbs the stairs to his palace, Salome's longing is fulfilled. Herod pauses on the stairs and commands her death.
David McVicar

© Picture: Clive Barda

  • Watch Salome, A work in progress, documentary about David McVicar's staging in Covent Garden: click here.

David McVicar stage director
Es Devlin costumes, set designer
Wolfgang Göbbel lighting
Andrew George choreography
Leo Warner and Mark Grimmer for Fifty Nine Productions video


Orchestra of the Royal Opera House, Covent Garden
Philippe Jordan musical direction


Nadja Michael (Salome, Herodias’s daughter, Herod’s stepdaughter)
Thomas Moser (Herod, Tetrarch of Judea)
Michaela Schuster (Herodias, Herod's wife)
Daniela Sindram (The Page of Herodias)
Michael Volle (Jokanaan, John the Baptist)
Joseph Kaiser (Narraboth)
Christian Sist (First Soldier)
Alan Ewing (Second Soldier)
Vuyani Mlinde (A Cappadocian)
Pumeza Matshikiza (A slave)

Movie director : Jonathan Haswell
Playlists : The Irrestible Playlist, The most beautiful programs in HD
Musical period : Music from the 20th century
Music genres : Opera, Voice

Duration : 01 h 51 min
Location : Royal Opera House, Covent Garden (London, Great Britain)
Production date : 2008
Production : © Opus Arte
Available version(s) : DE ST EN, DE ST FR, DE ST ES



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