Ildar Abdrazakov has quickly established himself as one of opera’s most sought-after basses. Since making his La Scala debut in 2001 at only 25, the Russian singer has become a mainstay at leading houses worldwide, including the Metropolitan Opera, Covent Garden, and Vienna State Opera. His powerful yet refined voice coupled with his compelling stage presence have prompted critics to hail the two-time Grammy Award-winner as a "sensational bass…who has just about everything – imposing sound, beautiful legato, oodles of finesse" (Independent). Also an active concert artist, he has performed at London’s BBC Proms and at Carnegie Hall, as well as with leading international orchestras including the Chicago Symphony and Vienna Philharmonic.
Abdrazakov begins the 2012-13 season portraying two of Mozart’s most iconic title characters. First, in September, he appears as the infamous anti-hero in Don Giovanni at the Washington National Opera, and then in October and November, he sings the title role in both Le nozze di Figaro and Don Giovanni at the Metropolitan Opera. Other opera engagements include The Barber of Seville in Munich, Don Giovanni with the Vienna State Opera, and King Philip in Don Carlo at the Torino Opera. On the concert stage, Abdrazakov sings in Prokofiev’s cantata Ivan the Terrible with the Deutsche Symphony Orchestra in Berlin and is a special guest performer at Dmitri Hvorostovsky’s 50th birthday gala in St. Petersburg.
Since making his Met debut in 2004 in Don Giovanni under James Levine, Abdrazakov has appeared there regularly: in 2008-09 he headlined a new production of Verdi’s Attila, and in 2011-12 he made his role debuts as King Henry VIII in the Met’s season-opening production of Donizetti’s Anna Bolena and as Dosifei in Mussorgsky’s Khovanshchina. At La Scala, he joined Muti in concert for the reopening of the theater in 2004-05, and that same season he sang Moses in a production of Rossini’s Moses and Pharaoh that was recorded and released on CD and DVD. It was in the same role – in a new production led by Muti – that the Russian bass made his Salzburg Festival debut in 2009, and he has also sung Moses with the Italian maestro in Rome. Abdrazakov first appeared at London’s Royal Opera House in 2009, performing Verdi’s Requiem in concert with Antonio Pappano, and he has since returned there to sing Don Basilio in Rossini’s Barber of Seville.
The title role in The Marriage of Figaro was the vehicle for Abdrazakov’s 1998 house debut at St. Petersburg’s Mariinsky Theater. Among his other signature roles are both the title character and Leporello in Mozart’s Don Giovanni; Méphistophélès in Gounod’s Faust and Berlioz’s The Damnation of Faust; Oroveso in Bellini’s Norma; Selim in Rossini’s Turk in Italy, and Assur in his Semiramide. As well as for his Attila, the Russian bass is noted for other Verdi roles: Banquo in Macbeth, Walter in Luisa Miller, and the title character in Oberto.
Abdrazakov has appeared with virtually every major opera company in the United States and Europe. In addition to those already mentioned, he has sung on the stages of Barcelona’s Teatre Liceu, Madrid’s Teatro Real, Paris’s Opera Bastille, the San Francisco Opera, the Washington National Opera, and the Los Angeles Opera. On the concert stage, he has given recitals in Russia, Italy, Japan, and the United States, and performed with orchestras including the Chicago Symphony, the Vienna Philharmonic, the Leipzig Gewandhaus Orchestra, the Bayerische Rundfunk, the Rotterdam Philharmonic, the Orchestre National de France, the Orchestra Filarmonica della Scala, and Rome’s Accademia Nazionale di Santa Cecilia. Among the noted conductors with whom he has collaborated are Riccardo Muti, Valery Gergiev, James Levine, Gianandrea Noseda, Bernard de Billy, Riccardo Frizza, Riccardo Chailly, and Antonio Pappano.